Wheels Within Wheels pt.2 The world fuzzed out, like a television set with bad reception. When it came back, they were inside a ghostly green darkness. They themselves were completely visible, but there seemed to be no ambient light. "Wow," Jane said. "Where are we?" Cliff asked. Sharon got to her feet. "Forebrain. Higher cortical functions. As you can see, there's nobody home." Jane stood up. "Where is everything?" "What do you mean?" "You know..." She made aimless motions with her hands as Cliff stood. "She's right. When I was inside Jane's head, it looked like a subway system. This doesn't look like anything." "I've noticed." "Well, what does it mean?" "A number of things it could mean. Rebis's mind deals in the abstract to such a degree that she has no defined psychescape at all. Or as I said, there's nobody home. Either she's in the mandala or dead. Or, we could be in waters too shallow, in which case a psychescape will turn up when we go deeper in." "Why do you keep saying she?" Jane asked. "It's s/he." "Not everyone can put up with talking in made-up pronouns all the time, Jane," Cliff pointed out, in a tone of long-suffering patience. "I'm sorry-- I do find it rather difficult to use the pronouns you told me, and the body seemed to look more feminine than masculine to me." "No kidding?" Cliff said. "I have a problem remembering that he's not a guy. Probably because it was the Larry side of him I knew before." "Well, the breasts, you know. They were rather large, and rather hard to miss in a casual glance. In any case, for the sake of convenience I will continue to refer to Rebis in the feminine, and since you will use the masculine and you, Jane, will use the androgynous, everything will balance out in the end. Now, are we ready to go on?" "Ready as we'll ever be." The darkness seemed to flow past, like a river sweeping around them, in them, through them. Flashes of light occasionally crackled, brilliant green lightning bolts splitting the darkness. "This is getting us nowhere," Sharon complained. "Deeper!"-- --and the world twisted. The room-- it felt like a room, and a rather small one at that, though its boundaries were invisible-- was similar to the space they'd been in before, a womblike green darkness. But this felt more enclosed, more protected. The scent of caves, with mossy walls and subterranean ponds, or of an aquarium, fish-full, filled the air. In the center of the room was a shattered mirror. As they approached closer, they could see that it wasn't just one shattered mirror. On the ground were mirror pieces, in red, dark blue, and green. At least they looked like mirror pieces, but they didn't reflect anything. The mirror dominating the center of the room looked like a puzzle being constructed out of the mirror bits. Some pieces were just tacked onto the frame, unconnected to the rest. Others were next to other pieces, but retained their boundaries and their colors. Most of the mirror, however, was composed of one colorless, seamless and rather large piece, as if large numbers of pieces had been melted together and refined into a single fragment. "What's that?" Cliff asked. It was Jane who answered. "Integration," she said, looking at the mirror with something like hunger in her eyes. "Putting the pieces together." She bent down and looked at the mirror fragments. "Just like a jigsaw puzzle." "Don't touch anything," Sharon warned. "I won't." Cliff turned to Sharon. "Does everyone with a fragmented mind have puzzle pieces inside their heads? Jane had puzzle pieces, too." "No. Not necessarily. This may not even be the metaphor Rebis herself uses." She turned to Jane. "Jane, you use a jigsaw puzzle as your central metaphor?" "Um... I guess you could say so. Why?" "Well, that's why we're seeing things like this," Sharon said. "*Our* minds are manufacturing the metaphor here, and Jane has more minds than we do. I think Rebis deals on a slightly more abstract plane. Or perhaps more disjointed-- several dozen overlapping metaphors, and we only see one, because we're influencing it. The psychescape could, for instance, look like this." Suddenly they were in the middle of a three- dimensional grid contour map, like a computer-generated image made of colored lines. The green mirror had transformed into a flat plane, while the red and blue maps were uneven, dipping down to weave into the flat green plane, in other places rising up, mingling with each other, or dropping below the green plane. "This may be closer to Rebis' own metaphor. Or maybe not. It's hard to tell." "A holographic set of contour maps?" Jane said. "Looks like it fits him better," Cliff muttered. "There are other metaphors around here, but they aren't visual. A chemical reaction, a crucible, a few others that we needn't get into. This one is rather too easy to perturb, so maybe we should go back. We can avoid disturbing the mirror metaphor better than this." They were back in the room with the unreflecting mirror. "Wait a minute. Let me see if I understand this. Whether or not you can muck with something depends on the metaphor you're using to look at it?" Cliff asked. "Of course." "But why? It's the same thing, isn't it?" "No. The metaphor you use to look at something doesn't change *it*, but it changes the degree to which you interface with it, and therefore the degree to which you can affect it." Cliff shook his head. "Whatever you say. Where are we trying to get to?" "This is the confluence of identity, where the process of integration seems to be taking place. We're trying to find the ego." "Where would the ego be?" Jane asked. "I mean, if it *is* in the Mandala, how do we get there from here?" "We find the memories, and ride them up until we find the most recent ones. Ego should be connected to the interface between memory and experience." "So what are we waiting for?" Cliff asked. "Nothing. Let's go." The world warped again, and resolved itself into a static tableau, like a diorama. "Cliff-- that's you! Isn't it?" Jane said, surprised. "And the Chief has red hair!" "Yeah. He used to." Cliff was staring at a red-haired woman in the image. "God," he murmured. "Rita..." "That was Rita Farr?" Jane tried to get into the diorama. "It's like it's behind glass." Rita, the old Cliff, and a younger version of the Chief were in the image, standing like three corners of a square. "Let me guess. This is one of Larry's memories." "Yes." Sharon pressed against the invisible boundary of the scene. "I need to check something." She melted into the boundary, and was suddenly inside the scene. The tableau began to move. "...terrorizing the citizens," the Chief was saying. "So you think this is a job for the Doom Patrol?" Cliff winced to hear his former voice. *God, I sounded like that?* "Yes, I'm--" Sharon stepped back out of the tableau, and it stopped moving. "Not here," she said. "What were you looking for?" Jane asked. "Memory trace. If ego had accessed that memory recently, I could have followed the trace. As it is, we'll have to do this the hard way." "So we need later memories. After the transformation. Right?" "Yes." "Why don't we just go there, then?" "Because these memories aren't indexed in order. They're all over the place." The shift came again. This time, they surfaced directly inside the tableau. A tall and strangely distorted black woman was shouting, "...don't want to hear this again! You'll bring up your grade, young lady, or your daddy's going to whale your hide, you hear me? I don't want to see another C on your report card for as long as I live!" Sharon grinned. "Reminds me of *my* mother," she said, looking back at Cliff and Jane. Being inside the memory was weird. Viewed from one point, it was fully three-dimensional and detailed. Behind that point, if one were to turn around, it didn't exist. The child Eleanor was the reference point for the scene, but did not exist in it herself, except as a voice. "It wasn't my fault, Momma, it was just because I was sick all the time!" "I don't want to hear that! You understand me, Eleanor Leigh?" There was a sensation in the air, a feeling of panic and shame and fear. "I want to get out of here," Jane said, almost whimpering. "Right." They were outside. The tableau turned static. "What's wrong, Jane?" Cliff asked. She was shivering, drawn into herself. "It's all the same," she said bitterly. "It's supposed to be *love* and *guidance*, but it's the same everywhere. Parents." "Now wait a minute!" Cliff put his hands on Jane's shoulders. "Jane, that wasn't abuse we saw in there. That was a mother chewing out her daughter for getting bad grades. All parents do that-- that doesn't mean they beat their kids or abuse them." "So why was she so afraid?" Jane demanded. "I could *feel* it. I could feel her terror!" "Because she was a child, and children blow things out of proportion," Sharon said calmly. "And because you were projecting what would have made *you* afraid into the situation. Here." They were inside another tableau. Eleanor, still a child, was visible in profile, but disappeared when you tried to look directly at her. She was apparently working with her mother on a knitting project. "Look here, honey," the mother was saying. "*This* is how you seal off the edges." "Okay." Childish hands protruded into the picture and manipulated needles. "This is gonna be so good. I'm gonna get my badge before anybody else." "It's enough to get your badge at all," the mother said. "Don't worry about the others." There was a feeling of warmth and excitement in the air. "You see, Jane?" Sharon said. "It's not all bad." "I suppose." Jane knelt on the floor next to the memory figures and studied a ball of green yarn. "Why is it we can see the girl in profile?" Cliff asked. "And why does the world look blurry?" "We can see her in profile because of image reconstruction. The mind can remember itself at a remove, as if we were looking at ourselves from slightly off to the side. A lot of older memories get this distortion. As for the blurriness-- I don't know, does Rebis wear glasses?" "Sunglasses. I don't think they're prescription. But maybe Eleanor did." "Yes, that's probably it. Jane? You ready?' "Sure." And next-- Darkness. They were in darkness, the smothering darkness of oblivion. It was not even dark-- it was *not*. Not-sight. Not-being. Nothing but a vague, amorphous hunger for reality, for being. A shrill scream split the not-dark, and then they were somewhere else, in the ghostly green light of the abandoned forebrain. Sharon was kneeling on the bottom surface, gasping. "Sharon! You all right?" Cliff asked, bending down next to her. She nodded, her eyes wide and slightly protuberant. "It was-- too much like. Death." "Like *what?*" "Sharon's schizophrenic, Cliff," Jane said. "She has delusions that she's dead." "Oh, great! Why didn't anyone mention this before?" "It didn't come up," Sharon said, getting to her feet. "I'm all right, Cliff. Don't worry." "So what the hell was that?" "Must have been one of the Negative Spirit's memories," Jane said. "That's the only thing that makes sense." "I'm not sure *any* of this makes sense. You sure you're okay, Sharon?" "Fine. I just lost my place a tad. We'll have to go back." --The world erupted around them. This was not a static tableau. It was a memory, but a memory so vivid, dominating, immediate, that it became a first-person experience, shared completely. Not a movie, but a dream, enveloping the viewer. Larry Trainor was lying on his bed in the hospital, its unyielding surface blocking escape. Terror consumed him, like the burning light of the energy being swirling around his head. Sweat poured down his cheeks, plastered his thin pajamas to his body. It was not part of him. The Negative Spirit was not under his control. He couldn't predict it. "Purpose? What purpose?" he asked, frantically stalling. "youknowlarry theunionthefusionthealchemicalmarriage" He knew, without knowing how he knew. A dormant memory, of a plan conceived by a dweller within, long before. Transformation and rebirth. Hydrogen into helium. The loss of his own life into a gestalt. "No," he whispered, anguished. "takemyhandnow" "No... I..." Pressed against the bed and the energy burning him. What he had controlled so long, controlling *him*. His hand moved against his will, extension of someone else. Something else. "takemyhandlarry" *God help me no I don't want this* "Oh no, please... don't do this to me... please... wait... I..." "itstimetogo" Contact. A searing pain throughout all senses. An explosion of light. Expanding, expanding, burning. He felt distanced from his body, energy. The Negative Spirit and he were one again, but the balance was shifted. The control was not his. He was the extension, dimly sensed body hanging limply in the Spirit's embrace. Simultaneous terror/anticipation/ agony/sexual desire and when she came into the room, desire swamped everything, to have her, hold her, take her, *be* her, and she came forward with their desire mirrored in her confused eyes and reached for their hand, take her/Eleanor into themself, oh no why why did I do it why did I touch I don't want this and she/he/they screamed as energy burned them away-- "nowwearethree"-- agony transform into ecstasy, orgasmic pleasure blotting out the world more intense than anything in his/in her experience, merging, shattering, the world, falling down into one another, spiraling in-- "nowweareone"-- and the final explosion took everything away... (1) "God," Cliff said into the darkness. "God." Jane drew in a breath, almost a sob. "I... never knew. I..." She began to fade into view in the ghostly darkness, as if eyes dazzled by the spectacular last explosion were slowly adjusting. She had her arms wrapped around herself, and she was shaking. "We shouldn't have seen that. That should have been private." "I know," Sharon said softly. "I meant to get us out of there, but I couldn't... move." "Like it was real," Cliff muttered. "It was-- like I *was* Larry." "We were," Sharon said. "That's only happened to me once or twice in my life-- someone else's memory being powerful enough to suck me inside." She shuddered, then shook her head. "It's done now. We've reached the critical nexus. Memory is indexed properly after this-- all we have to do is follow up through Rebis' memories until we reach the leading edge. That's where we should find ego, if there isn't a disjunction." "A disjunction?" Cliff said. "A place where memory becomes non-sequential. We'll know it if we see it. Let's go." The next scene was another static diorama, but-- changed. It was a scene of a street in Happy Harbor. Jane herself was visible in the periphery. "I'm *glowing*," Jane murmured, staring at the image. Everything was glowing, more or less, in colors that didn't exist. It was as if several images were laid on top of each other-- the glowing auras formed one layer, and below that, a grainy picture, in which everything was made up of impossibly tiny yet distinct dots in no color at all. Yet the colorless dots radiated *something* that made them distinguishable. On another level of the image, there were ripples in the air, as if a contour map had been laid over everything. "What the hell-- ?" "Is this how Rebis sees?" Jane asked. "I guess so. I've never seen anything like it," Sharon said. "Let me take us inside." The diorama sprang to life around them. Now that there was motion, the overlapping components of the image produced ghosts. Moving figures remained in one position on one of the levels of vision after they had moved to a different one on another level. Sound existed on the audible, ordinary level-- Jane's voice, discussing a book she'd read on the continuity of being; citizens of Happy Harbor talking, cars, etc, the sort of things any of them might hear. There was also a regular thrumming, a vibration through the body, and on another level whispering soundless voices: *wanted to do the deal so what's the hate him I hate him I wish he was gimme! it's mine! no fair! no so tired I'm so tired headache stop screaming little brats like to take a meat cleaver and hey look it's the weirdos from the Doom hot babe like to he's looking at her swear I'll kill him...* The light in the air seemed to be a river, rippling and rushing around the images. Emotions translated as smells, tastes at the back of the throat-- this man's lust, that woman's fury, as distinct scents. There was no trace of ordinary scent at all. "This is weird," Cliff said, staring about. "I mean-- with this team, I've seen a *lot* of weird, but this is definitely up there." "It's three-dimensional," Jane said. "Look!" She turned around. In earlier memories, the images had vanished entirely when she did that. Here, only the immediate, surface level of vision disappeared, with ghostly afterimages remaining on most of the levels. "How does he make sense out of all this?" Cliff asked no one in particular. He was beginning to get an idea of why Rebis's behavior was so strange. If this was the world s/he lived in... "The same way any of us do," Sharon said. "Practice. Lots of practice." They were outside the diorama again. "No ego traces. We'll have to move forward." The panorama of memory began scrolling forward as a blur. Waves appeared, rolling slowly through the blur. "*That's* never happened before." "What hasn't?" Cliff asked. "Those waves. I think Rebis must be able to see something whose time course is so slow that we couldn't detect it in the one memory. If all you had to go on was a single time point, you'd never know that plants grow." "It's fun," Jane said. "Like watching 'This is Your Life' on your VCR and fast-forwarding it." "Does everyone have a memory record like this?" "No-- well, for the most part, yes. You do. Jane probably doesn't, because the memories are parceled out to different people. And Rebis's earlier memories weren't organized like this either, which is why I didn't do this before. I-- ow!" The images stopped suddenly. Sharon put her hand to her head. The final image showing in the memory diorama was the Mandala. "We're there, aren't we?" Jane asked. "Yes. Oh, my head. I feel like I just bashed myself into a brick wall." "So where's Rebis?" Cliff asked. "Wait." Sharon pressed her fingertips to her eyes. She removed her thick spectacles from her breast pocket and put them on, making her look goggle-eyed. Carefully she looked at the image. "Yes. She *is* still alive. The leading edge of memory is in there." "In *where?*" "In the psychescape of the Mandala. When an ego moves out of its body and into some other domain, I have to go in through the memory of crossing. Lord, this is one complicated case." She sighed, removing the glasses. "This is the situation. Rebis's ego is in the Mandala. For us to go in after her, we have to enter this memory and cross through the disjunction here. This is where the danger comes in. When we retrieve Rebis, her mind will carry the rest of us with it. But if we *don't* retrieve Rebis, we ourselves will not be able to get back. I won't be able to cross back through this disjunction." "So what you're saying is that if we don't get Rebis out, we'll be stuck in there ourselves," Cliff said. "Essentially." "But there's no way to get Rebis out unless we risk it." "Yes." "What are we likely to find in the Mandala?" Jane asked. "How would I know? All I know is what you know-- something in there pulled Rebis in, and we don't know whether she hasn't left because she doesn't want to or because she can't." "'Can't''s more likely, I think," Jane said. "Cheering," Cliff said. "Let's go before we change our minds." Transition. (1) This scene is a direct retelling of events in Doom Patrol #19. There was a sudden lurch, a sense of nausea (Cliff, who hadn't been nauseous in years and had nearly forgotten what it felt like, almost enjoyed it, but then, it *was* very brief), and then they were through. Around them were walls, towering, impossible, infinite walls of wood, covered with carvings that seemed to writhe and whisper haunting fragments. A soft green glow suffused everything. Ahead of them was a path that forked. "It's a maze," Cliff said, remembering what Rebis had said just before s/he went catatonic. "Look, Sharon. Are we even going to be *able* to find him in this?" "I think so." Sharon put her spectacles back on. "The trouble is going to be finding our way back." "We can't just retrace a memory trail or something?" "I don't know, Cliff. I've never been in this situation before. Most catatonics I've worked with weren't trapped in mazes inside wooden carvings." "Uh, guys?" Jane produced a ball of green yarn. "We can use this." "Where'd you get that?" Cliff asked. "It's not real," Sharon protested. "If it's not part of Rebis's mind, it has no reality outside of us. It'll disappear as soon as--" "Will you shut up? It *is* part of Rebis's mind. I picked it up in one of Eleanor's memories." "Oh." Sharon looked chagrined. "We're not exactly rank amateurs, you know." "Jane, you're fantastic. How long is it?" "Did you ever notice how, if you're trying to imagine unrolling a ball of yarn, you never get to the end?" Jane said. "You get stuck in a loop, and nothing ever changes. Imaginary yarn doesn't *come* to an end." At this point, a skeleton staggered toward them. Sharon gasped, going gray, and hid behind Cliff. Jane made a disgusted noise at the skeleton. "Euw. Lovely landscape they have here." "Nobody do anything threatening," Cliff said. "Let's wait and see what it does. It might not be a hostile." Sharon cautiously poked her head out from behind Cliff. The skeleton was still advancing, but slowly, shuffling and weak. It didn't look awfully threatening, except for the fact that it was a skeleton. "A female, adult, probably anywhere from her late 20's to early 40's when she died," Sharon said, regaining her composure. "Died within the past two hundred years, if we can trust what her skeleton looks like. She had adequate nutrition throughout her life, and didn't do a lot of physically strenuous work." Jane made a face. "Do you have to be so morbid?" The skeleton stopped, about six feet away from Cliff, who had moved to stand slightly in front of the others. "Help... me..." it whispered in a thready voice. "We'll help you if we can," Cliff said, taking a step forward with his palms up in a gesture of friendliness. "What's wrong? Can you tell us?" "Everything's wrong," the skeleton whimpered. "Home... can't find the way out... I..." "Do you remember how you got here?" "Eternity... the Mandala of Eternity... but I but I... help me..." "We can't help you if you don't tell us what's wrong," Sharon said. "The Mandala is what's wrong," Jane said. Now that they were more or less out of Rebis's head and in a weird extradimensional environment, she was in her element, and sounded much more confident than before. "Yes... the Mandala... so hungry... I..." "Watch out!" Cliff screamed as the skeleton crouched to leap. Sharon threw herself behind Cliff. Jane, however, stepped forward, arms thrown out. "Yes," she said. "I have what you need." "*Jane!*" The skeleton leapt at Jane, who embraced it. "I give you release, sister," Jane said softly. Her arm began to buzz, shaking back and forth so fast it blurred. She pressed the buzzing arm into the skeleton, slicing its bones apart. It crumbled into dust, and Jane stood, brushing the dust off herself. "Jane?" Cliff stepped forward. Jane turned. "No. I am Sister Mary of the Chainsaw. That unfortunate soul had been drained of her life a long time ago, and lingered on as a revenant only, a hellish shadow of herself, drinking the lives of others. I gave her peace." "Oh," Sharon said, sounding nonplussed. "Well, it worked, anyway." "I know I know," Jane said, her voice and stance changing, becoming childish. "I know what the Mandala is. She said it to me in her sleep." "What? What's the Mandala?" Cliff asked. "Hungry." Jane tittered. "Hungry! It eats and eats until all'at's left are the bones, an' they live here. They gotta drink from the live souls that come in 'cause they haven't got anything else. 'Cause the Mandala ate them up. An' if you do it right, you can make the Mandala give you all the stuff it ate, so you can live forever'n' ever. But it's draining the air, too, can't you see it? It's eating up the air!" Jane laughed again and began to spin in circles. "Gonna eat up the air an' there won't be any left to breathe and we all fall down 'cause there won't be any air..." "Jane!" Sharon shrilled, her whole body rigid. "Stop it stop it *stop it!*" Jane shrieked and lost her balance, tumbling over, her hands out to break her fall. Cliff looked at Sharon, who was rigid, staring straight ahead and hyperventilating, and at Jane, who was on the ground. Jane, he decided, took priority. "Jane!" He ran to her, and lifted her. "I'm all right. I'm all right," Jane said, holding onto his wrists. "I'm okay." She went to Sharon, who was rigidly shuddering. "Hey. I'm sorry. I'm sorry, Sharon, okay? I can't always control the others." "What's happening?" Cliff asked. "Sophie Apollonia scared her," Jane said. "So she screamed in my head for Sophie to shut up, and Sophie got startled and fell over. It was a moment before I could get control back. It's okay, Cliff." "I heard your prophecy," Sharon whispered. "We're all going to die, aren't we? Aren't we?" "No, no. That was just Sophie Apollonia. She doesn't know how to interpret her visions. See, there's an energy in the air. That's that green glow. That's what the Mandala's drawing on, not us. It's not touching us." "Wait a minute," Cliff said. There was something that was nagging at him. "The Mandala is draining energy out of the *air?* We're not really here. How can there be air?" "Well, it's not really air. It's an ambient energy field." "Okay. The Mandala sucks energy out of the people who enter it, right? That's what you said?" "Yes, but it's not touching--" "--us, right, right. Bear with me, Jane. Didn't Sharon say we weren't really in the Mandala? That we came in through Rebis's head?" Jane blanched. "Oh my God." "What?" Sharon's hands clamped on Jane's wrists, like talons. "What is it? Are we in danger after all?" "Not exactly," Jane said. "*Rebis* is. Cliff figured it out." "I should've seen it sooner," Cliff said. "A green glow?" "I don't understand." Sharon, for all her otherworldly knowledge and psychological training, was not an experienced superhero. Cliff explained. "You said we're here inside Rebis's head. That green glow is his life force or something. *He's* really here, so the Mandala can drain him. We need to reach him as quickly as possible, Sharon-- can you sense where he is?" "This way, I think. The memory traces are dim, but they're there." She started forward. "You realize, if Rebis dies with us in her mind, we'll be killed too?" "I figured that," Cliff said. They began to move through the maze, Jane paying out the green yarn behind them. As they traveled, they passed piles of dust, like the dust the earlier skeleton had become. "Well, this is encouraging," Cliff said. "What is?" Sharon asked, looking back at him. "Skeleton dust. Somebody's been skeleton-smashing. Looks like Larry's still in pretty good shape-- or was when he came through here." "Rebis doesn't like to be called Larry overmuch, does she? S/he?" Sharon asked. "We had an argument about it in the beginning, but I don't think he cares anymore. Why?" "Just a thought. You ought to call people what they choose to be called." Cliff produced an electronic sigh. "Don't you start." As they proceeded through the maze, Sharon leading them forward, they encountered more and more skeleton dust, and some partially decomposed bodies scattered in pieces on the ground. One of the bodies, a slim Asian man, had only lost its arm. It got up as they approached and leapt at Sharon. She screamed. Cliff shoved her out of the way and took the attacker himself. Cold. Its embrace was unutterably cold. Cliff had not experienced the physical sensation of cold in what seemed like forever, but he *had* previously experienced the sense of energy drain that came with the cold. Violently he shoved the creature from him, with strength that should have broken its ribcage and ruptured its vital organs. But since it wasn't real, or wasn't physical, at least, all it suffered was a stunning as it hit the ground hard. Cliff was shaking, feeling like he did when his nutrient tank ran low-- dizzy and cold on the inside. Jane threw herself forward, transforming into Black Annis. "Rip your flesh!" she shrilled, lunging at the revenant. "Drink your blood! Slice your bones!" The revenant threw itself backward, dodging Black Annis, and shouted, "*Majo! Shine!*" (2) Cliff backed off, staying out of the combatants' way. The revenant's arm had grown back. He now looked more like an emaciated man than a starved corpse. He and Black Annis were snarling at each other, him in some guttural language that Cliff didn't speak, and he was parrying Annis's razors with-- what? It looked almost like a sword, when it was visible, which wasn't always. Black Annis was getting more and more frustrated. Sharon's eyes were closed. "It-- he-- was a magician," she said softly. "A Japanese. He was sucked into the Mandala forty years ago, but his spells have kept him largely intact. And he wants Jane badly. If not Jane, he'll settle for me. Our mental powers give us a great deal of energy. Most of your body is powered by mechanical energy, not biological, so you have very little usable energy from his point of view." "How do you know all this? I didn't know you were a real telepath." "I'm not. Rebis is, though, and the memory traces are stronger here. You're right, Cliff-- the shattered skeletons we saw on the way here were Rebis's work. She barely survived the encounter with this one, though." "Shit." Cliff clenched his fists, watching the combat. He knew better than to get in Black Annis's way-- but she wasn't winning. "Jane and you both said we're not really in the Mandala. How can these revenant things nail us?" "We are but we're not. I'm not sure, as I can't sense the Mandala per se. Ask Jane, when she finishes up." "I wish she'd change to someone else. Black Annis isn't getting anywhere." Then the blade flashed, and blood spurted everywhere. Jane's voice-- not Black Annis's-- split the air in a shrill scream, and Jane fell backward with a red gash opening her stomach. "*JANE!*" Cliff lunged, closing with the Japanese man in a blind fury. The sword swung, and blunted against Cliff's metal body. He grabbed the revenant, ignoring the cold and weakness he felt, and with a single violent spasm ripped its head off. The head cursed violently, and the body slipped free of Cliff's grasp and began staggering toward the wounded Jane. Cliff dropped the head and grabbed the body, hurling it into the wooden wall. It lay still where it had hit. "Cliff!" Jane called weakly. "Toss me the head?" Cliff picked up the head and brought it over to her at a run. Sharon was pressing her hands against the bright red wound in Jane's stomach. "Jane!" Cliff shouted. "The head?" "Don't talk," Sharon was saying. "I'll get the wound bound up in a moment. Cliff, could you--" "Don't bother," Jane interrupted, as Cliff knelt and handed her the head. "I can heal-- myself-- aah--" She clenched the cursing head, and for a second blood spurted fiercely from the wound, drenching Sharon's dress, as Jane's eyes widened and her face twisted in agony. Then the blood, and the pain in her gaze, subsided, and the head crumbled to powder in her fingers. Cautiously Sharon released the wound. It was sealing up. "How--" "I drained his energy to heal myself." Jane got up. "I must look a wreck. Blood all over, my poor dress ripped open--" "You're all right, though," Cliff said, feeling overwhelmed with relief. "Right? You're okay now? Are you okay?" "I feel great. Here, Cliff. You've lost some strength too, haven't you? I've got a little to spare." She placed her hands on Cliff, and the cold weakness faded in a wash of warmth. "How many more are there like that one?" Cliff asked Sharon. "According to memory trace, Rebis hasn't run into any more of them yet." Sharon turned toward a passageway leading left. "Not far, Cliff. We don't have far to go." "Is Rebis okay? Can you tell?" Jane asked. "Yes, I can tell, and no. Not okay. We had better move quickly." They ran down the paths of the maze. Jane became Flaming Katy and threw fire from her hands at any other revenants they saw. Sharon carried the ball of yarn, since in this form, Jane would burn it. Cliff simply shouted. "Larry! Larry, can you hear us? Are you there?" "Rebis!" Flaming Katy joined in. "Rebis, where are you?" "[There's no need to shout.]" The three of them came to a screeching halt in front of a side tunnel. Rebis was there, looking unhurt, intently studying the wooden wall. "Larry!" Cliff shouted, and ran forward. "You don't know what we've been through, trying to find you!" "[There really *is* no need to shout, Cliff. I'm right here.]" S/he made no attempt to turn toward them, but continued to study the carvings on the wall. "How do you feel?" Jane turned back into herself and came forward. "[Fine. How else should I feel? This is fascinating. Jane, have you taken a good look at these carvings?]" "No, I haven't had time. We--" "You have to come back now," Sharon said, urgently. "We've mapped out the way." Rebis appeared to notice Sharon's presence for the first time. S/he glanced at Sharon, and then turned back to the wall, floating a bit further down the passage, away from them. "[I don't intend to go back just yet.]" "You don't *intend?*" Cliff stared, a mounting fury rising inside him. "We bust our asses to rescue you, risk our lives, and you don't *intend* to come *back?*" "[I haven't finished studying the Mandala. Cliff, you don't know. Everything's here.]" There was a faint edge of something tingeing the matter-of-fact voice-- longing? hunger? "[It's infinite. Infinite knowledge. The structure of the all.]" "I don't care!" Cliff shouted. "We've come to rescue you, and we're damn well going to do it!" He reached to grab Rebis, who floated up over Cliff's head and out of his reach. "Cliff, don't," Sharon said softly. "It's--" Abruptly she noticed Jane studying the carvings, and shoved her away from the wall. "Don't do that!" "What did you do that for?" Jane shouted. "How the *hell* do you expect me to understand this thing if I don't study it, you schizo bitch? I don't need you getting in my way!" "Yes you do. Hammerhead, shut up and let Jane take back over." "Why the fuck should I take your orders? Who died and made you God?" "Rebis will, and then the rest of us, if you don't shut up and let me talk." "There's nothing wrong with that asshole. S/he's just a cold-blooded freak who doesn't give a shit about the rest of us and doesn't deserve to be--" "*Jane!*" Sharon shouted. "Somebody reasonable take over for Hammerhead, *now!*" Jane's face cleared. "We need Hammerhead," she said. "The woman feels a great deal of anger." "The woman can control herself for ten minutes," Sharon said in an icy voice. "This isn't her emotion-- or not completely, at any rate. It's being imposed. Look at Rebis, both of you." Rebis was still floating next to the wall, tracing patterns on it with hes hand, paying no apparent attention to the conversation. "Typical," Cliff snarled. "Larry, have you listened to a word we've said?" "[What?]" Rebis looked down. "[Cliff, please don't bother me. I'm very busy.]" And turned back. "That's not normal," Sharon said. "Not even for Rebis. Is it?" "I don't know," Cliff said darkly. "Sometimes..." "Please, try to control your anger. It isn't entirely your own. This is *not* normal. Trust me. For one thing, Rebis is very badly energy- drained. Do either of you see any sign of it?" "No," Cliff said. "How do you know s/he's drained?" Jane demanded. "Because I can read Rebis's memories. We're still in her head, after all. And I know what's going on better than ego does. The Mandala walls are an obsession. Ego is fixated on them, to the point that she-- he-- oh, hell, I might as well be consistent. That she hasn't noticed that the Mandala is draining her life force. How do you think the Mandala holds powerful people here?" "A charm," Jane said slowly. "S/he's caught by a charm." "Oh," Cliff said. "Oh, *shit*." "Rebis is so obsessed, in fact, that she's extremely angry with us for trying to interfere with her obsession. We can't see it on the surface, because ego is badly disjuncted from her emotions--" "Nothing new there," Cliff muttered. "But because we're still in Rebis's mind, we're picking it up subconsciously. It's manifesting in *us*, magnifying our natural annoyance into full-blown rage." Cliff looked up at Rebis, who was about ten feet over all their heads and totally oblivious to anything but the wall carvings. "So we've got to persuade him to come back against some kind of brainwashing spell?" "That's about it." Jane sagged. "How do we do that?" "We argue with him, I guess," Cliff said. "S/he won't listen. We don't see it that often, Cliff, but Rebis is one of the most stubborn--" "And self-centered." "That too. If s/he's so obsessed with those damn walls that s/he's ignoring an *energy* drain--" "I've got an idea. Hey, Larry!" "[Cliff, I *did* ask you not to bother me--]" "We need your help down here. There's a problem." "[Can it wait?]" "It'll only take a minute." Jane stared at Cliff, and slowly began to smile. "I see," she murmured. "Let's hope it works." Sharon looked at both of them blankly. "[What exactly is the problem?]" "I'm not sure," Jane said. "I'm getting something weird from this section of floor, but I'd like you to take a closer look at it. Please, Rebis?" Rebis descended. "[I didn't notice anything about the floors before,]" s/he said. "[That's very odd. What sort of feeling?]" "I can't really put it into words. It's very localized. Right over here." She patted the spot right in front of Cliff, and straightened. "[Over here?]" "Yes. Right here." As Jane motioned with her foot, Cliff moved in behind Rebis, who knelt down. "[Strange. I don't detect--]" At this point Cliff grabbed Rebis, locking his arms around the hermaphrodite's chest and pinning Rebis's arms to hes sides. "[Cliff, what are you *doing?*]" "Sorry about this, Larry." Rebis was heavier than s/he looked, but nowhere near heavy enough to give Cliff trouble. "You're coming with us whether you like it or not." "[*Let me go!*]" Rebis began to struggle in Cliff's grasp. S/he wasn't strong enough to get loose without using the Negative Spirit. "[Cliff, I don't want to hurt you--]" "Then don't. Just relax. You've been brainwashed. We've come to rescue you." "[No one is doing anything to my mind. I would know it if they tried.]" "Would you?" Sharon said. "Your head is riddled with memory blocks and disorganized besides, you're disjuncted from your own emotions-- you would know it if someone was telepathically altering your mind, but did you sense us walking around in your memories? Did you sense the claim the Mandala put on you?" "[Let me go,]" Rebis said, in a distinctly weaker voice. "You see? You're beginning to realize how drained you are." "Listen," Cliff said. "If you don't get out of here, you'll turn into one of those skeleton creatures, and we will, too. We can't leave until you do." "[I want to know,]" Rebis said, almost in a whisper. "[So much to learn... Let me *go.*]" S/he began struggling violently again. "[I'll force you if I have to, Cliff.]" "You can't," Sharon said. "The Negative Spirit knows that if it separates from you here, you'll become a revenant. Only its energy is keeping you alive." "How do you know that?" Cliff asked. "Rebis knows it, but ego can't realize it. Listen to the deeper levels, Rebis. Listen to yourself. You can't release the Negative Spirit and you haven't the strength to fight back." "[I...]" Abruptly Rebis sagged, all the strength going out of hir. "Larry?" Cliff lowered Rebis to the ground. "Larry, can you hear me?" Sharon shook her head. "Something's happening. Something's falling apart... The memory traces are getting chaotic." "I think I know what it is." Jane knelt next to Rebis. "The drain's picking up. We've got to get out of here. Rebis? You can hear me, can't you?" "[Yes... so weak... why... so weak? I...]" "It was the glamour of the Mandala, keeping you going," Jane said. "It's killing you now. Do you understand? Are you going to stop fighting us now?" "[We... unity damaged. Connections broken. I. I am not. We... disintegrating... the Mandala... pulling...]" "Disintegrating?" Cliff didn't like the sound of that. "Sharon, Jane, can we get him out of here now?" "We have to." Jane got to her feet. "Things are worse than I thought. We have to get out of here *now.*" "I won't argue." Cliff picked up Rebis again, lifting hir in his arms. This time, Rebis seemed significantly lighter, as if s/he were partially hollow. "Sharon, do we still have that yarn trail?" Sharon was shaking. "Yes," she whispered. "But it's... things are falling apart. I don't know if we'll make it out in time..." "Then we'd better move! Come on!" They began to run back along the yarn line, Sharon winding it as they went. The Mandala walls were cracking. At one point, an abyss nearly opened under Jane's feet, but she leapt over it. "What the hell?" Cliff shouted, looking at Sharon. "She's *dying!*" Behind the glasses, Sharon's eyes were even wider than before, popeyed with fear. "Hurry, hurry!" "[Disintegration,]" Rebis whispered, so softly Cliff could barely hear hir. By the time they'd reached the beginning of the yarn trail, the green glow in the air was visibly faded, and there were cracks and holes everywhere. "The psychescape is falling apart," Sharon whispered, rigid with terror. "We're inside a dying mind. We're never going to get out." "Take us back across!" "I *can't!* There's a disjunction! Rebis has to do it and there's no way she's strong enough!" "Did you hear that, Larry?" Cliff asked urgently. "Can you do it?" Rebis didn't appear to hear. "[don't... please... yanking...]" "Rebis!" Cliff shook the limp form in his arms. "Can you hear me?" "I know what's happening," Jane said. "Put hir down." Cliff obeyed. "What *is* happening?" "Disintegration. They're losing it. Falling apart." Jane knelt beside Rebis. "Rebis. Do you want to stop the disintegration? Do you want to hold together?" "[...jane?...]" "Listen to me. You have to get out of the Mandala and back to your own mind. It'll take all the energy you have left, but you won't disintegrate. Concentrate! Please!" She motioned at the other two. "Come here." "It's collapsing!" Sharon wailed. "No, it's *not!* Come on! We need to lend Rebis our strength, s/he doesn't have enough left to make it out of here. All of us, link hands." Cliff and Sharon sat on either side of Jane and clasped her hands. She then placed the clasped hands in each of Rebis's. "Take what you need. Come on!" A wave of cold, of draining-- sickness, disorientation, nausea-- --and Cliff was staring up at the ceiling lights. He got to his feet. Sharon was on the cot, her brown skin tinged with an unhealthy grayish shade, and Jane was still on the floor, folded over. "Jane? Sharon? Did we do it?" "Help me up, Cliff," Jane said. "I feel weak. Dr. Caulder, Josh, I think Rebis is going to need medical help." Cliff helped Jane up. "What about Sharon?" "She's a little worse drained than me-- I have more to spare, and it was her power that took us through. I'm more worried about Rebis. Cliff, look!" Cliff looked, as Caulder and Josh came bursting in. "Look at what?" "Rebis isn't glowing." "Jane. What's the problem?" Caulder asked. "Energy loss. S/he was very weak inside the Mandala, and burned a lot of energy getting back out." "IV drip," Caulder said to Josh, who frowned even as he moved to do it. "The circulation's too slow. We need something to increase heart rate, or the sugar won't get to the tissues in time. Oxygen mask?" "Yes, good idea." Sharon began to stir awake, while Cliff and Jane watched the Chief and Josh deal with Rebis. Josh had slid a stethoscope underneath the bandages, careful not to expose any of Rebis's radioactive skin. "I'm not getting a heartbeat-- wait, there-- but it's too slow, even for Rebis," Josh was saying. "Trying adrenaline." "Ohh..." "Sharon?" Cliff turned. "You all right?" "My blood sugar is probably ridiculously low..." "I'll get you some orange juice," Jane promised, and ran for the kitchen, shouting, "Dorothy, come here! I need some help!" When Jane came back, it was with a pitcher of orange juice and glasses. Dorothy was toting a box of chocolate ice cream and several spoons. "Here you go," Jane said, pouring Sharon a glass. "Have some ice cream as well." "Heartbeat's increasing..." Josh removed his stethoscope. "I think we ought to check body temperature as well. These bandages are only supposed to block the high wavelengths, right?" "Yes, that's why the green glow." "Normally there's radiant heat, too. At least, when I did the baseline physical on the whole team, Rebis's bandages were a lot warmer than this." "Josh, that's a function of the radiation, not the body temperature- -" "Yeah, but they might be linked. I'm going to check it." "Use a mercury thermometer, then. The radiation will damage an electronic one." "I think he's waking up," Cliff said. Josh paused in his quest for a thermometer. "Rebis? Rebis, can you hear me?" Rebis's eyes opened and blinked several times. "[...light...]" "The shades," the Chief said. "Cliff, what did you do with Rebis's shades?" "In my pocket." Cliff removed the shades and placed them on Rebis's face. "How do you feel? Can you tell us?" Caulder asked. "[...cold... can't move...]" "Drink this," Jane said, offering hir a glass of the orange juice. Josh and Cliff propped Rebis up on a pillow, so s/he could drink a little of the orange juice without dripping it all over hes bandages. Jane had to hold the glass. After the orange juice, she spoonfed Rebis some ice cream. "Is it getting better?" Jane asked. "Do you feel like you're getting any stronger?" "[...little... damaged... we're...]" "Don't talk," Cliff advised. "Let me get some blankets," Josh said. "Those bandages leak heat." Jane fed Rebis some more orange juice. Josh came back with blankets, and piled them on the cot, tucking them in around Rebis. "I don't know if this'll help or not, but it can't hurt." "[yes... thank you...]" Rebis's voice was slightly stronger. "[...need sleep... please...]" "Right." Cliff looked at Sharon, who was lying back on her cot. "You feel well enough to get up?" "How long were we in there?" Cliff looked at the Chief, who answered, "Six hours." "Six *hours?*" Cliff said disbelievingly. "Sounds right... believe I need some sleep myself." Sharon yawned. "Just leave me here. I won't disturb Rebis." "All right," Caulder said, nodding. "Josh, if you could get that Mandala? I'd like to have a look at it myself before Rebis wakes up." They all filed out, turning out the lights. (2) Japanese: "Die, witch!" The last word is pronounced "shee-nay" and not "shine" as in sunshine. Eleanor was holding a party at the apartment in Santa Luisa. There were some guests there she didn't remember inviting, like the Scissormen over in one corner, conversing in their incomprehensible language with one of the Pale Police. Emily Stark was there, wearing bandages for burns. She came up to Eleanor holding a cup of blood and effused, "Now I look just like you! Isn't magic a wonderful thing?" "Wonderful," Eleanor said politely. There was a sense of lurking awfulness hanging over everything, but she couldn't put her finger on it. Something was wrong. Val Vostok was having an argument with Rita Farr, over whether beating up on little brothers was child abuse or justifiable homicide. Having had a little brother, Eleanor would have argued the latter, but she didn't feel like arguing at all. Dan and Josh were talking philosophy. Eleanor had never before noticed how much they looked alike. Dan was bleeding from a neck wound, and it was staining the floorboards, making a puddle at his feet. "Dear, you're bleeding," Eleanor told him. "Your coat is up in the closet upstairs," Dan said. "No, no. We're storing it at headquarters, in mothballs. The Chief wants to figure out why it changes color," Josh said. There were small insects crawling on his face. Eleanor excused herself from them. "Great party, Larry," Cliff said, knocking back a glass of motor oil. "Cliff, how many times do I have to tell you I'm not Larry?" "Just because you're a black woman in a party dress is no reason you can't be Larry." "After all," Rita said, "we hardly ever saw what you looked like. You could have turned into something else under the skin." She was visibly rotting. Eleanor wanted to tell her to go rot somewhere else, but really, it'd been so long since they'd seen her. The Chief was dissecting Rhea, who was lying on a table as part of the decor. The party was going wrong somehow. Eleanor's and Larry's mothers were off discussing recipes as they knitted a homunculus out of glowing green yarn. "Dan, please go put a bandage on your neck," she said. It was very distracting to see the blood eating away at the floorboards. "Do you have any to spare?" "Only radiation-proof ones. Not for blood." "Oh. I bet you don't still bleed." He handed her a wooden doll. It was painted red and yellow, ludicrously bright, and had a hideous clown face. "Here's a gift. Open it up!" Eleanor didn't want to open the doll. Something horrible was inside. She knew. But there was a compulsion tugging at her. Open the doll, see what comes out. The doorbell rang. Gratefully Eleanor said, "I have to get the door," and went without opening the doll. A short black woman with amber eyes, wearing a lab coat, was standing there. Eleanor knew her from somewhere, but couldn't recall where. The hospital? Med school? The Air Force? No, he hadn't known any women in the Air Force. "Hello?" Eleanor said. "Are you Rebis?" the woman asked. Yes, of course. Why had s/he been thinking s/he was still Eleanor? "[Of course,]" Rebis said. The red party dress really didn't go well with the white of the bandages, and the black tie and work boots just made it look stupider. [/What's wrong with me?/] "[Who are you?]" "Dr. Sharon Dilliard. I don't know if you realize this, but you're having a nightmare. Would you like to wake up?" The Scissorman was snipping up the furniture, and something was slithering out of Dan's blood to eat the pieces. The Chief was pulling Larry's old model planes and comic books out of Rhea's torso, and Rita and Emily were swapping death stories. "[How very odd,]" Rebis said. "[I haven't dreamed since-- are you *sure* this isn't happening?]" "Can't you feel more than you can when you're awake?" The doll. A sense of lurking horror. Yes. The irrational dread building within hir was much more immediate and uncomfortable than it would ordinarily be-- as if s/he was, in fact, Eleanor again, or Larry. In a spasm of sudden terror, s/he asked, "[Am I myself? Are we-- how many am I now?]" "I think you're as many as you're supposed to be," Sharon Dilliard said. "You're just having a bad dream, as I said. Do you want to wake up before the real nastiness begins?" Dan was coming forward with the doll, staining the carpet and the floor as he walked. "Hey, Eleanor! Don't forget this!" If s/he stayed, s/he would be forced to open the doll. "[Yes,]" Rebis said forcefully, and was surprised to hear fear in hes own voice. "[Yes, I want to wake up.]" "All right." The woman stepped back outside, and Rebis had to turn to face Dan, and the doll. "Come on, Eleanor. It's *your* party." "[I'm not Eleanor.]" Maybe that could get hir out of having to open the doll, s/he hoped. But no one was having any. The bleeding wound in Dan was getting bigger and bigger, and something vaguely enameled was visible in the gap, like giant teeth. "Yes you are. You're still linked to Eleanor whether you like it or not. Now *open the doll*. It's a gift!" He placed it in Rebis's bandaged hands, which began to tremble. [/How interesting. I'm actually very afraid./] "Go on!" Jane said, her arm around rotting Rita, who was grinning skeletally. "Open it, Rebis. Nothing *really* bad can happen!" "It's *only* a baby," Mother-- one of them, or both-- was saying. "It's *only* a child." "Get this show on the road, Larry," Cliff said, chomping on his arm. It had been ripped off by parties unknown, and bled oil. [/There's no way I can get out of this, is there?/] [*/I don't think so. We're going to have to open it./*] Reluctantly, slowly, Rebis began to unscrew the top of the doll. Then someone was shaking hir. "Wake up! Wake up!" For a moment of disorientation, Rebis thought that whatever had been inside the doll was shoving hir back and forth. Then hes eyes opened. In the dim light cast by hes own glow, s/he saw a woman bending over hir, shaking hir. "[I'm... awake. Thank you.]" "Sorry it took so long, dream-time," the woman said. "I had to wake myself up first, and time passes much faster in dreams. How do you feel?" Rebis sat up. S/he was in the infirmary, lying on a cot, with blankets tucked in around hes body. There was a black woman in a rumpled pale dress standing barefoot in front of hir. Hes body felt cold and sluggish, and ached a bit, but s/he dimly remembered being so weak and cold that death had seemed imminent. "[Somewhat... recovered, I think. Where are my clothes?]" "Over there someplace." The woman gestured. "I can't *believe* I slept in mine. They are going to smell so bad... thank the Lord I packed new ones." Rebis retrieved hes clothes from the pile someone had dropped them in, slightly annoyed. Now they would have wrinkles. "[I know you,]" s/he said. "[Where did I meet you?]" "In the Mandala. Professor Caulder hired me to fish you out." "[You were in my dream.]" "Yes. Sorry about that-- when I'm asleep near someone else, I tend to go dreamwalking." "[I'm afraid I've forgotten your name, Doctor--?]" "Dilliard. Sharon Dilliard." "[Yes. I've heard of you.]" S/he finished knotting hes tie. "[An article in an AMA journal, six years ago, regarding the use of paranormal abilities in medicine.]" "*That* thing. I remember that." "[I need to tell the others what I've learned.]" "What time is it?" "[How would I know?]" "I thought you might have a time sense. I'm very hungry." She located a clock. "Um. Looks like it's morning. Do you guys eat breakfast around here?" "[Yes. They might be in the kitchen.]" Rebis and Sharon entered the kitchen. Jane was there, munching on toast. "Good morning, sleepyheads," she said. "How do you feel?" "[Mostly recovered. Thank you.]" "Sharon?" "Oh, I'm all right. Hungry, grungy and smelly, but otherwise fine. I need something to eat, and then I need a shower and a change of clothes. Do you mind if I just make myself something to eat? I don't want to be any trouble." "Go right ahead. There's eggs in the fridge." Jane turned to Rebis. "So, did you find out what you went in there to find out?" "[Yes. I think I would like some coffee. It's been a very long time since I've had coffee.]" "There's still some in the pot. What *did* you find out?" Rebis poured hirself a cup of coffee and sat down. "[It's called the Mandala of Eternity. It absorbs life energy from people--]" "Well, we *know* that." "[--but if used properly, the energy can be taken back, and used to grant the owner eternal life.]" Neither of them noticed Sharon suddenly stiffen and turn, looking at them. "So that explains why someone would want it." "[It has other powers, as well. It--]" "Wait. Let me go get Cliff; we should bring him in on this." "[Yes. Good idea.]" Jane left. Sharon brought her breakfast-- a bagel with American cheese melted onto it-- to the table, and sat down. "Eternal life?" "[Yes. If used properly.]" "Pretty impressive," Sharon said, studying her orange juice intently. Jane returned with Cliff. "Larry! How do you feel?" "[Improved. Thank you. I was discussing with Jane what I've learned from the Mandala.]" "Well, go ahead. Shoot." "[The Mandala of Eternity has existed for thousands of years. It may date back to the dawn of time. It consumes the life force of those who touch it or probe it without taking the proper precautions. In the hands of those who know how to use it, however, it can provide immense power. It can grant eternal life, or the power to reshape reality in one's own image. Throughout the centuries, it has been pursued by many secret organizations, cults, societies and cabals, many whose members ended up in the Mandala as revenants. Most of these groups were eventually destroyed by it. It is said that part of the soul of Death was fragmented off and bound into the Mandala, providing it with its occult powers as well as a certain sentience. There are other rumors, which I forget.]" "And it has the power to mesmerize people inside it," Jane said. "Don't forget that." "[I haven't. Mostly it traps magicians, scholars and others who tried to use it or investigate it. It uses the hunger for knowledge to lure these people, so they don't even realize they're dying until it's too late.]" "Like it was almost too late for you," Cliff said. "So. What's next?" "[I don't know. I know *why* someone is pursuing it, but not--]" The phone rang. "I'll get it," Cliff said, and picked up the closest extension. "Doom Patrol, Cliff Steele speaking." He held the phone several moments, then said, "To *who?* I'm sorry, could you speak-- To Eleanor Poole?" He turned his head away from the phone. "Rebis, there's a hysterical woman on the line who wants to talk to Eleanor Poole." "Nobody here by that name!" Jane caroled. "[I'll take it.]" "Eleanor *Poole?*" Sharon said. "Yeah. That was one of Rebis's selves, before," Cliff said. "Why?" "I'd *heard* of Eleanor Poole. My *lord*, what a small world this is. I never thought she'd been *that* Eleanor." Rebis was attempting to get the sobbing woman on the phone to make sense. "[Who is this, exactly?]" "You don't even kn-*know*, do you! You *killed* him, you bitch, and you d-don't even *know!*" "[Killed who? Please, who *are* you?]" "You remember *D-Dan!* Don't you?" "[Dan? Yes. I remember him-- what's happened?]" "He's *dead!* You got him killed, you bitch, you and those th- *things*--" She dissolved into sobs. "[Dan's dead? Who *are* you?]" "M-my name's Gienia Taylor. I was-- I was his-- they *killed* him-- those *things*--" "[Are you at the apartment in Santa Luisa?]" "It was *your fault!*" "[Are you at the apartment in Santa Luisa?]" Rebis repeated. "Yes-- I-- they *killed* him--" More hysterical sobs. "[We'll be right there.]" Rebis hung up. "What is it?" Cliff asked. "[My old fiancé. Dan Cartwright. He's been killed.]" "By what?" "[She wouldn't say, except that it was a 'thing'. I suspect a link between this and Emily Stark's death.]" Jane nodded. "It makes an awful kind of sense," she said. "Let me get dressed." "You said the woman on the phone was hysterical?" Sharon asked. "[Yes.]" "Then let me go along with you all. None of you strike me as the sort that inspire trust and warmth in hysterical people, and I have the training." "That is a *very* good idea," Cliff said. "Rebis, who was she?" "[Her name is Gienia Taylor. She didn't say what she was to Dan, but I suspect she's his new girlfriend. Or was.]" "Um. Yeah." Cliff looked away. Sharon and Jane left to get dressed, and Cliff turned back to Rebis. "Does-- I mean-- if all of this upsets you, it's all right to talk to us about it." "[Thank you, Cliff, but I'm fine. I think.]" "Well, whatever. I know you're pretty self-sufficient and all, but if you need anything, let me know." "[Yes.]" Rebis returned for hes cup of coffee. "[It's very strange. I dreamed last night, for almost the first time since primary integration was completed. I'd thought it was because I was in danger of disintegrating, and I needed dreams again. But I'm not sure, now... It was a nightmare. I see through time, sometimes. Perhaps I should have let it run to the end... it might have told me something.]" "Why do you think someone gave this Mandala thing to *you?* Have you been able to figure that out yet?" "[Not the foggiest. I wish they hadn't. This is getting to be a good bit more trouble than it's worth.]" Cliff eyed Rebis askance for a second or two. "You know, even next to the Chief, you have the biggest talent for understatement I've ever seen." The apartment was in a very nice section of Santa Luisa. "You used to *live* here?" Jane asked, looking about wide-eyed, as they approached the building. "It's beautiful." Rebis fished out a keychain from one of the pockets of the coat. It was attached to a loop, which on close inspection was a plastic snake biting its tail. The key, however, didn't fit. "[Hmm. They seem to have changed the locks.]" "I'm not too surprised," Cliff muttered. "Ring the doorbell." They did, and a few minutes later the door opened. A large and somewhat blowsy-looking young black woman with mocha-colored skin, extra- short hair and half a dozen earrings stared at them out of puffy red eyes. She reeked of perfume. "You-- are you--" "We're superheroes. The Doom Patrol," Cliff said. Her eyes focused on Sharon. "Are you Eleanor?" "No, I'm Sharon Dilliard. *She's* Eleanor." Sharon gestured at Rebis. "[More or less. I take it you're Gienia? What happened?]" Gienia stared at Rebis. "He said-- he said you'd turned into-- some kind of *freak*, but--" "Ms. Taylor, we're here to investigate your boyfriend's death, not to listen to insults," Cliff said. "Could you *please* let us in so we can do our job?" "Who-- he said superheroes, but-- you don't look like--" Cliff sighed. "I told you. We're the Doom Patrol. Cliff Steele, Crazy Jane, and Rebis, who you know as Eleanor. And Dr. Dilliard, special assistant. Like I said, we're here to investigate your boyfriend's death. Could you let us in--" "--or do we knock you over?" Jane inquired sweetly. Gienia moved out of the way with bad grace. "The apartment's upstairs," she muttered. "[I know.]" As they headed up the stairs, Sharon muttered, "Let me handle the girl." "Go right ahead," Cliff said. They entered the apartment, a large and expensive one which occupied the top two floors of the building. Rebis stopped, floating in the center of the room. "[Traces. Traumatic afterimages. They were here.]" S/he turned to Jane, "[Do you feel it?]" "Yeah." Jane's head turned back and forth, searching. "Yes, I can feel them, like... it's like screaming... something crying..." "What are you people talking about?" Gienia asked, nervous and hostile. "They're investigating," Sharon said gently. "I know they seem strange, but they're very good at their jobs." Rebis was wandering around, touching various objects and making comments to Jane. Cliff sat down in a sturdy chair across from the sofa, where Sharon and Gienia were sitting. "We need to know *exactly* what happened," he said. "Can you tell us what happened?" "I--" The woman's eyes began to well with tears. "Shh. It's all right, honey. We understand," Sharon said. "Now listen. We know you don't want to remember what happened. But we do have to know, or we can't stop whatever it was that killed Dan. So let me make a suggestion. I'm a trained psychiatrist. I can hypnotize you, so you can tell us *exactly* what happened, without breaking down or losing control of yourself. Then when you wake up, you won't feel like you've had to remember it, or relive it. All right?" The woman looked nervously around at the three Doom Patrollers. "I'm not sure--" "They won't hurt you," Sharon said. "Trust me. They're just here to investigate what happened. I'm here to help you deal with it." Gienia took a deep breath. "I don't want *her* here," she said, motioning at Rebis. "It's her fault. She got him killed." Cliff rolled his eyes-- which were, in fact, specially designed to be able to do that. Sharon nodded. "All right. Rebis, could you go upstairs for about ten minutes?" Rebis looked at Sharon for a moment, trying to determine what she was playing at. Finally s/he nodded, once. "[All right.]" As Rebis floated up the stairs, Jane said, concerned, "Sharon, what- -" "Shh." Sharon drew out a watch from her pocket, and swung it in front of Gienia's eyes. "You are getting sleepy..." Gienia fell asleep. Jane burst out laughing. "*That's* not hypnosis," she said, and then studied Gienia carefully. "You did. You hypnotized her." She looked at Sharon. "You used your power, didn't you?" "Of course. I'm not going to wait around for half an hour trying to hypnotize someone when I can do it in a minute, this way." "Why the watch, then?" "Props. I can't hypnotize someone unless they're willing and they think they're being hypnotized. You want to call Rebis down here?" "You're going to have this woman tell us what happened?" Cliff asked. "Or what?" "Well, what, actually. I'm going to take us in to view the memory. You guys will have more to work from, then." "Right." Jane headed upstairs. "Rebis?" The apartment was thick with memories and the stench of madness overlaying. The only previous time Rebis had come here as Rebis had been just after the transformation, too disintegrated to perceive anything, psychometric or otherwise, in the emotional domain. Now-- Everything s/he touched had emotional resonances of hes life as Eleanor. Things s/he had forgotten, things s/he could no longer feel, were here, trapped in the fabric of all the objects. The last time Rebis had come here, blasted and weak still from the transformation, with no emotional integration to speak of, s/he had felt nothing. There had been Dan, who Eleanor had loved, but Rebis had felt nothing more for him than a vague sense of obligation. Here, now, halfway integrated and with some small emotional capacity, Rebis remembered what distant Eleanor had felt. Dan's life, his love. His death. It resonated through the living room, with the stink of madness. A place where there had been love, once, poisoned throughout by the sick rot of the Mad Ones. Rebis floated through the bedroom, picking things up and handling them occasionally, triggering memory and psychometric resonance. Remembering, when s/he had not remembered anything of this nature in months. A vague pain. [/There's something-- what's wrong? What am I feeling?/] [*/Reference back. Remember this pain. This is an emotion./*] [/Yes./] Rebis thought about it, fingering a paperweight Eleanor had given Dan years ago. [/I think I want to cry./] [/But I don't remember how./] "Rebis?" Jane poked her head in the door. "We're ready now. Sharon's going to take us into the girl's memories." "[Yes.]" Rebis turned and drifted out of the room, dropping the paperweight on the bed on hes way out. Jane tilted her head to look up at hir. "Are you okay?" "[Why wouldn't I be?]" "Well, something just killed your former boyfriend and was probably gunning for you. That'd make *me* upset." Rebis was silent. "Right. Don't answer me. See if I care." "[I'm tired, Jane.]" Jane sighed. "I'm sorry... I should know better. I'll leave you alone." They headed downstairs. Gienia was sitting on the couch with her eyes closed, hypnotized. "Take seats, people," Sharon said, waving at chairs. Cliff was already seated on the couch next to Gienia, and Sharon was perched on an arm. "We won't be below the bodily threshold, but this will be disorienting. Best to sit down." Jane and Rebis sat. "Now listen carefully. We won't be able to use any sort of special senses here-- all of will see, hear, and otherwise sense exactly what Gienia Taylor sensed. No more, no less." "Right," Cliff said. "Just take us in." The scene unfolded around them, replacing what they could see with an image, viewed from Gienia's point of view. She and Dan were playing Mille Bornes. "This happened late last night," Sharon said. Her voice sounded strangely unreal, like the voiceover narration on a television program. As Gienia drew from the pile in hopes of getting a green light, there was a shimmering in the air. A glass boy in a suit and tie and a giant disembodied head appeared in the middle of the living room. Gienia screamed, and Dan moved to her side, as if to protect her. "Who-- who the hell are *you?*" Dan gasped at the creatures. "We're the Mad Ones," the glass boy said. "I'm Kisvallen, this is Maître." The head burped. "Something that rightfully belongs to us was stolen by a woman named Eleanor Poole. We know you know where she is." "By-- Eleanor stole something? From *you?*" "Well, undoubtedly she didn't realize she was stealing, but that's neither here nor here, nor here either. What we need is to know where she is, so we can take it back from her." "BY FORCE," the head growled. "*That* wasn't necessary to say," Kisvallen said. "Didn't I tell you to shut up, Maître?" "SORRY." Dan shook his head. "I don't know where she is. Now get the hell out of my apartment!" Kisvallen shook his head. "Can't do that." "CAN I EAT'IM?" "Naah. But you can eat his girlfriend if he doesn't talk." "*What?*" Dan started forward as Gienia cowered back on the couch. "Now I'll ask you again. Where is Eleanor Poole?" "I told you I don't know! She turned into some sort of freak and left, *I* don't know where!" "Eat the girl, Maître." "NUM NUM." Gienia screamed as the head flew at her. Dan picked up the table and swung it at the head, which ate it. "YUM!" "Gienia! Get out of here! *Run!*" Dan shouted. "NO YOU DON'T," caroled Maître, and flew at Gienia, mouth open. Dan threw himself at the head and pounded on it. Maître turned, and chomped, and Dan was suddenly gripped in the things's mouth, screaming. Gienia was shrieking so loud it was hard to hear anything else, but even still the sound of Dan's screaming and an obscene slavering chomping noise were audible. "Oh, *Maître*," Kisvallen said, sounding annoyed, as Dan's screams stopped. "*Now* how are we going to get anything from him?" "SORRY," Maître said, and burped. Gienia was sobbing hysterically. "Oh well. Naomi found other connections. We'll find them out from her. I think there was an old lady in there somewhere." "DON'T LIKE OLD LADIES. TOO CRUNCHY!" "That's my point. Let's go." They walked over to the fireplace, climbed up inside, and vanished. A moment later the whole scene vanished as well. "[He knew where I was,]" Rebis said. "[I told him, the Doom Patrol. Why didn't he--?]" "Maybe he didn't want you to get hurt," Cliff suggested gently. "Or maybe," Jane said acerbically, "he just forgot." Sharon said, "I'm going to be working on Gienia. Don't try to wake me." She slumped in the chair, eyes open wide and blankly staring. "Okay," Cliff said, and looked back and forth at the other two. "Any ideas?" "I think Gienia was incredibly lucky," Jane said. "That thing was after her, not Dan." "[Other connections. He mentioned other connections-- something there. Something *you* said, Jane.]" "Something *I* said?" "When?" Cliff asked. "[I can't remember...]" "Rebis?" Jane leaned forward, frowning. "If they were looking for Eleanor... why did they find Dan and Gienia, here?" "[I would think they would be-- Old lady. No.]" Rebis stood. "[Cliff, I think my mother is in danger.]" "Right. Where does she live?" "[Alexandria. Just outside Washington DC.]" "That's going to take us hours to get there. You want to call ahead and warn her? This *is* Eleanor's mother we're talking about here, right?" "[Yes. I don't think they have any knowledge of *me*. I don't know why they know me as Eleanor, but if they knew me as Larry, they'd have come to the Doom Patrol first.]" "Right. Well, if you can call ahead and get her to move to a place of safety--" "Cliff, exactly where is safe from beings that can just materialize in someone's living room?" Jane asked. "Even if Rebis called to warn her, what precautions could this woman *take?*" Cliff thought about it. "Call ahead to see if she's still all right," he said. "Get her to go somewhere else-- it *might* throw them off if she's not at home." He looked at Rebis. "Does your mother even *know* about you?" "[I don't think so. I didn't tell her.]" "Well, there's something else. We're going to have to explain *that*. Not now, though. Just tell her you're a superhero and she's got to get out of the house. Or something." "I'll drive us," Jane volunteered calmly, as Rebis picked up the phone and dialed. "Who?" "Driver 8. I've got a power, too, you know. It's just never come up before." "[Mother, this is me. As soon as you get this message, get out of the house. There might be someone trying to kill you. Some people and I are coming to pick you up. Stay at Mrs. Johnson's.]" "Warn her about what you look like," Cliff suggested. Rebis hung up without doing so. "[Answering machine.]" "I figured that. You should have told her about what you look like." "[In thirty seconds?]" Sharon opened her eyes. "I've taken care of Gienia," she said. "Would somebody like to help me get her to bed?" "We don't have time," Cliff said. "We've got to get going-- Rebis's mother is in danger. Are you coming with us?" "Ah-- all right, I think I'd better. I suppose we can leave Gienia on the couch." "Right. Let's move!" They piled into the car, and Driver 8 took the wheel. "I take short cuts," she said. "Let me see the road map." Cliff, in the back seat, leaned forward and handed it to her, spread out. "We're trying to get to Alexandria..." "Right. I've got it. We can probably make it in an hour." "To Alexandria? In Virginia? In an hour?" Sharon said disbelievingly. "If she says she can do it, she can do it. What'd you do with the girl?" Driver 8 pulled out of the parking lot. "Seat belts fastened, everyone? Here we go!" She stepped on the gas and tore down the street. "Reworked her memories. She couldn't handle the truth-- it was going to drive her insane. I convinced her that Dan had been killed by muggers, who'd tossed his body in a trash compactor, while he was trying to save her. The horror is still there, but it's a rational horror now-- and I made sure she doesn't hate Rebis anymore. She remembers now that she called the Doom Patrol for help because Dan told her about Eleanor being a superhero, and she figured that she could use a superhero to investigate. She resents Rebis slightly for not being around to save Dan, but that's par for the course with superheroes, and as far as she's concerned, we drove off to find muggers. She still remembers the whole thing with the giant head, but now she thinks it was just a terrible dream." "[Reversal. Transmuted dream becomes reality, so reality becomes a dream. Interesting.]" "Are you sure that's morally right? Mucking with someone's head like that?" "I did it to prevent her from suffering a nervous breakdown. Some people can handle the idea of a giant head eating their lover, and some people can't. They--" Sharon broke off with a terrified shriek, as Driver 8 drove straight for the nearest subway entrance. "She's going to kill us!" she screamed. "She is *not!* Calm down!" Cliff shouted back. "[Symbolic egress. We're not in the linear world anymore.]" "No, we're not," Driver 8 agreed. "We're taking a shortcut through the Underground." It didn't look quite as Cliff remembered it. They were traveling along a line whose stations were empty and deserted. The car remained shaped like an automobile on the inside, but outside it had turned into a lone subway car, rocketing along the deserted line. "Jane? Where exactly are we?" "We're using a part of the Underground that we haven't expanded into yet. It's not very well-defined. This is just the area I use for long- distance travel." "I see," Sharon murmured. "There's a psychescape around us. Externalizing the mind into a parallel dimension? Or something..." "What's our strategy?" Cliff asked Rebis. "I mean, when we turn up on your mother's doorstep, what's her reaction likely to be? You did say she doesn't know about you..." "[I don't think she does. I didn't tell her.]" "So what are we going to do?" "[If she's alive still, we'll get her out of the house and take her with us. We also should pick up my younger brother and sister. If they're following up connections to Eleanor... Bring them to headquarters. If nothing else, we can force a confrontation. I don't know. Do you have a plan?]" "I was hoping you did. All right. Pull your folks out and take them back with us. Then what? We've got to find out more about the Mad Ones and why they're after the Mandala, how they keep finding you, and why someone gave the thing to you in the first place." "Maybe you could just give these Mad Ones the Mandala back?" Sharon suggested tentatively. Cliff looked at her. "We can't *do* that. These people are insane. God only know *what* they'd do with the Mandala, but we can't let it fall into their hands." "[Perhaps that's why.]" "Why what?" "[Why me. One could be reasonably sure that the Doom Patrol would go out of its way to protect the Mandala from the Mad Ones. I might have been chosen in particular because I like things like this. Or because the Mad Ones can't seem to perceive me for what I am. If someone wanted to escape the burden of protecting the Mandala themselves, but wanted to ensure it wouldn't be taken...]" "Yeah. You could be right. Damn, I hope we don't end up having to make a career of fighting these Mad Ones. The Cult of the Unwritten Book was bad enough." "Maybe we can beat them fairly easily," Driver 8 said. "We didn't know what to expect last time." "And this time we do? Besides, we've got civilians to protect." Cliff turned to Sharon. "Is there any way you can use your powers in a combat capacity?" Sharon shook her head rapidly, eyes wide. "I'm no superhero. I don't want to get myself killed. I've died too often, I know what it's like." "No one's asking you to make a career out of it. All I'm saying is, could you protect yourself reasonably well if we got into a fight? You don't have to help us, but if you could just manage not to be a burden it'd be a big help." "Yes. No. I don't know. I have no idea. I've never needed the powers for that before." Sharon was shaking. "He said, he said, I could use them in self-defense, so maybe I can. Bad dreams. I protected myself at Arkham but they're all crazy. Maybe, since the Mad Ones are probably crazy too. I don't know." Cliff did not like the looks of this. The woman was obviously terrified. She had gone unnaturally rigid, and the blood had left her face, turning her gray. If it came to a combat scenario, they would probably have to protect her. In addition to Rebis's relatives, who undoubtedly would not be happy to learn what had become of their Eleanor. "Great," he muttered. "Wonderful." Leona Poole came in from a shopping trip, and saw that the light on her answering machine was blinking. She played the message. "Mother, this is me. As soon as you get this message, get out of the house. There might be someone trying to kill you. Some people and I are coming to pick you up. Stay at Mrs. Johnson's." "*Eleanor!*" Leona played the message again, but it had nothing more to say. The voice was Eleanor's, but... different somehow. Flatter. Deeper, maybe, a little. "Eleanor, what's *happened* to you?" Though they were an emotionally close family, they weren't in contact all that often. It had been three months after Eleanor's accident that Leona, worried that she hadn't heard from her daughter in so long, had called her apartment-- and gotten Dan, who told her that they'd broken up. Eleanor had had an accident. Something to do with a superhero team. He had given her the number Eleanor had left with him, where she could be reached, but when Leona called it, she'd gotten a Dr. Caulder, who told her that Eleanor was ill and did not want to talk to her. She'd tried to find out where this Caulder lived, to track Eleanor down, but she hadn't even known where to start. Neither the hospital, Dan, nor Caulder would tell her the exact nature of Eleanor's accident-- Dan said it involved superheroes, the hospital said to ask Dr. Caulder, and Caulder had said that if Eleanor wanted to tell her mother, that was her place-- it was personal and private and Caulder was not about to tell Leona what it was against Eleanor's apparent wishes. Stonewalled. It had built a fury in her, these past few months, hearing nothing from Eleanor, having no way to track her down. Now Eleanor had called, for the first time in months, but had made no attempt to explain herself. "Someone might be trying to kill you. Some people and I are coming..." Some people? What people? Who could be trying to kill her? And Melody Johnson had been dead for two months-- Leona was certainly not going to go to her house. She was staying right here until Eleanor showed up and gave her a decent explanation for all this. And it had better be a *really* good explanation at that. Copyrights: Doom Patrol, Cliff Steele, Crazy Jane, Rebis, Dr. Caulder, Josh Clay and Dorothy Spinner are all copyright DC Comics. All other characters created by Alara Rogers. All resemblance to any actual persons, living or dead, is purely coincidental, with one exception, my Roommate From Hell. If you choose to format this story for your word processor, the various typographical sillinesses I've adopted can be translated as follows: * equals italics, / equals underline, and anything within [ ] brackets should be changed into a sans serif font such as Arial or Helvetica. By the way, the Mac font "San Francisco" and the True Type font "Saint Francis" are very good renditions of the Doom Patrol font. On my original printed run of this story, "Wheels Within Wheels" (the title line) was rendered in San Francisco 18 pt.